Dramat jako filozofia dramatu. Na przykładzie twórczości Tadeusza Różewicza

dc.contributor.author	Górska, Irena
dc.date.accessioned	2013-12-30T10:57:33Z
dc.date.available	2013-12-30T10:57:33Z
dc.date.issued	2002
dc.description.abstract	Tadeusz Różewicz's drama becomes philosophy in two ways. It poses the same questions as philosophy does (about the sense and the aim of human life) and it uses the same methods of expressing itself (it converses with other works, the world, the reader and the writer). Różewicz destroys the old drama rules to re-use them in order to construct some new ones and he rebuilds the world using these rules. However, the newly-built forms don't resemble the classical drama. The boundary between life and art disappears. Paradoxically, it turns out that destruction can be a tool to unite the world. In Różewicz's world everything loses its identity. On the level of genetic rules a fragment appears, whereas, on the philosophical level there is the idea of imperfection.	pl_PL
dc.identifier.citation	Przestrzenie Teorii nr 1, 2002, s. 193-204	pl_PL
dc.identifier.isbn	1644-6763
dc.identifier.issn	978-83-232-2077-0
dc.identifier.uri	http://hdl.handle.net/10593/9243
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Naukowe UAM	pl_PL
dc.title	Dramat jako filozofia dramatu. Na przykładzie twórczości Tadeusza Różewicza	pl_PL
dc.title.alternative	Drama as a philosophy of itself. Based on Tadeusz Różewicz's drama	pl_PL
dc.type	Artykuł	pl_PL

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