Молитва и религиозная жестикуляция в поэзии Есенина

dc.contributor.authorSzokalski, Jerzy
dc.date.accessioned2013-07-08T10:24:55Z
dc.date.available2013-07-08T10:24:55Z
dc.date.issued2012
dc.description.abstractThe theme of this essay is to present some religious practices in the lyric poetry of Sergei Yesenin, especially the rites of the Orthodox Church along with many accompanying manifestations of the spiritual life and all kinds of gestures (mostly very distant) associated with the sphere of human religiosity. The author stresses the autonomy of the Orthodox Church as a way of perceiving the world and the mystical communion with it. This communication takes place primarily at the level of language, and particularly at the level of body language and the gestures of the language that could (although, as emphasized, not always) express the certain intentions and feelings of a religious entity as well as quasi-ritual or ceremonial speech acts: invocations, prayers, veneration, etc., but seen in some isolation from their religious functions.pl_PL
dc.identifier.citationStudia Rossica Posnaniensia, Nr 37 (2012), pp. 335-342pl_PL
dc.identifier.isbn978-83-232-2519-5
dc.identifier.issn0081-6884
dc.identifier.urihttp://hdl.handle.net/10593/6606
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniupl_PL
dc.titleМолитва и религиозная жестикуляция в поэзии Есенинаpl_PL
dc.title.alternativePrayer and ritual gesture in Yesenin’s poetrypl_PL
dc.title.alternativeModlitwa i gestyka religijna w poezji Jesieninapl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego