The unruly household in John Heywood’s "Johan Johan"
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Date
2007
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Adam Mickiewicz University
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Abstract
The very title of John Heywood’s interlude A mery play between Johan Johan, the husband, Tyb his
wife, and Sir Johan the priest (in print by 1533) suggests a fabliaux-like, farcical intrigue, which can
be enacted by three characters only: a hen-pecked husband, a shrewish wife and a parish priest, i.e.
the wife’s lover. The play centres on the motif of eternal triangle, Tyb being at the heart of the whole
intrigue and responsible for disrupting order within the household. This paper examines how the
official ideology of household is subverted in the play, deals with carnivalesque empowerment of the
female character which results from this subversion, shows how female rebellion is counterattacked
with misogynist implications of the play, and, finally tries to hint at political implications the interlude
might have had despite its entertaining and comic qualities.
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Studia Anglica Posnaniensia, vol. 43 (2007), pp. 265-273
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0081-6272