Dialog z tradycją malarską w literackiej i filmowej twórczości Lecha Majewskiego

dc.contributor.author	Nowakowski, Jacek
dc.date.accessioned	2013-12-30T21:38:00Z
dc.date.available	2013-12-30T21:38:00Z
dc.date.issued	2008
dc.description.abstract	This article presents Lech Majewski's works in the context of the intersemiotic translation: how the world painting functions in the literature and films of this author. Majewski attempts to make dreams of the modern synthesis of arts come true and in this he reminds of the activities of his Renaissance master, Leonardo da Vinci. This Polish artist by means of the painting tradition (both works as well as fragments of painters' biographies), set in the context of other media (literature, theatre, film) wants to create a modern, intermediate garden of arts whose central topic is the vision of paradise. It can be understood as a place of existence of heroes of his works and - metaphorically - the language of art which the art uses freely uses various materials and media.	pl_PL
dc.identifier.citation	Przestrzenie Teorii, nr 9, 2008, s. 93-106.	pl_PL
dc.identifier.isbn	978-83-232-1917-0
dc.identifier.issn	1644-6763
dc.identifier.uri	http://hdl.handle.net/10593/9451
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Naukowe UAM	pl_PL
dc.title	Dialog z tradycją malarską w literackiej i filmowej twórczości Lecha Majewskiego	pl_PL
dc.title.alternative	Dialogue with a painting tradition in the literary and film work of Lech Majewski	pl_PL
dc.type	Artykuł	pl_PL

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