Od obrazu do sentencji. O grafice Sławomira Mrożka
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Date
2004
Authors
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Publisher
Wydawnictwo Naukowe UAM
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From the picture to a maxim. On graphic art of Sławomir Mrożek
Abstract
The author analyses co-existence of visual and language signs in Mrozek's drawings. Because of
the kind of mutual relations, seven types of signs are distinguished. These are: 1. visual autonomous
signs; 2. comic strips (stories in drawings); 3. iconic multimeaning sign; 4. iconic sign - interpreting
of the language sign; 5. language sign - interpreting of iconic sign; 6. language sign reduced
to the plan of expression; 7. iconic sign as a pretext to introduce language communication.
The analysis shows the relational character of language signs in heterogenic communications and
vast possibilities of iconic signs which, apart from conveying simple information, are capable of
interpreting concepts and ridicule mechanisms of language manipulation. It also allows to speak
about the evolution of Mrożek's work.
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Citation
Przestrzenie Teorii, nr 3/4, 2004, s. 115-135
Seria
ISBN
978-83-232-2077-0
ISSN
1644-6763