Od obrazu do sentencji. O grafice Sławomira Mrożka

dc.contributor.author	Wysłouch, Seweryna
dc.date.accessioned	2013-12-30T09:51:28Z
dc.date.available	2013-12-30T09:51:28Z
dc.date.issued	2004
dc.description.abstract	The author analyses co-existence of visual and language signs in Mrozek's drawings. Because of the kind of mutual relations, seven types of signs are distinguished. These are: 1. visual autonomous signs; 2. comic strips (stories in drawings); 3. iconic multimeaning sign; 4. iconic sign - interpreting of the language sign; 5. language sign - interpreting of iconic sign; 6. language sign reduced to the plan of expression; 7. iconic sign as a pretext to introduce language communication. The analysis shows the relational character of language signs in heterogenic communications and vast possibilities of iconic signs which, apart from conveying simple information, are capable of interpreting concepts and ridicule mechanisms of language manipulation. It also allows to speak about the evolution of Mrożek's work.	pl_PL
dc.identifier.citation	Przestrzenie Teorii, nr 3/4, 2004, s. 115-135	pl_PL
dc.identifier.isbn	978-83-232-2077-0
dc.identifier.issn	1644-6763
dc.identifier.uri	http://hdl.handle.net/10593/9200
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Naukowe UAM	pl_PL
dc.title	Od obrazu do sentencji. O grafice Sławomira Mrożka	pl_PL
dc.title.alternative	From the picture to a maxim. On graphic art of Sławomir Mrożek	pl_PL
dc.type	Artykuł	pl_PL

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