W drodze do "opery filmowej". Muzyczne eksperymenty Kurta Weilla w "You and Me" Fritza Langa
| dc.contributor.author | Mungen, Anno | |
| dc.date.accessioned | 2012-09-25T06:36:05Z | |
| dc.date.available | 2012-09-25T06:36:05Z | |
| dc.date.issued | 2010 | |
| dc.description.abstract | Fritz Lang’s film You and Me was billed as a “musical revolution”. But it never became one. Anno Mungen describes Kurt Weill’s struggles to reshape the film as a genre. Both in his theoretical reflections and his (not successful) practical attempts as a film composer, Weill was preoccupied with the idea of music as a crucial element of the film/theatre dramaturgy. This idea – as Mungen tried to show, analyzing three examples taken from Lang’s film – could direct the artist straight towards the category of film-opera. | pl_PL |
| dc.identifier.citation | "Images" 2009, nr 13-14 (vol. 7), pp. 65-72 | pl_PL |
| dc.identifier.issn | 1731-450X | |
| dc.identifier.uri | http://hdl.handle.net/10593/3404 | |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi | pl_PL |
| dc.subject | Weill Kurt | pl_PL |
| dc.subject | You and Me | pl_PL |
| dc.subject | Lang Fritz | pl_PL |
| dc.subject | Music and film | pl_PL |
| dc.subject | Songs | pl_PL |
| dc.title | W drodze do "opery filmowej". Muzyczne eksperymenty Kurta Weilla w "You and Me" Fritza Langa | pl_PL |
| dc.type | Artykuł | pl_PL |