Reflexe bezvýznamnosti a její možnosti zření (Milan Kundera: »Oslava bezvýznamnosti« – »La fiesta de la insignificancia«)

dc.contributor.authorUrbanová, Svatava
dc.date.accessioned2018-01-29T12:07:15Z
dc.date.available2018-01-29T12:07:15Z
dc.date.issued2016
dc.description.abstractThe study analyses the most recent novel by Milan Kundera The Festival of Insignificance. The novel explores themes such as existential models and motif variations from previous works by the author including numerous phenomenological filiations. The study theorizes about possible interpretations of the title of the book and the fates of the characters within the life struggles of the given time. It does not exclude the border between life and death. It seeks out answers to questions which emerge and are linked with the position of humans and the roles of one’s own picture of in the eyes of others. The reader becomes witness to both private and public festivals, with both of them, however, bearing the marks of their participants and being connected to the world as a theatrum mundi in which everything is relative.pl
dc.identifier.citationBohemistyka, 2016, nr 1, s. 3-18pl
dc.identifier.issn1642–9893
dc.identifier.urihttp://hdl.handle.net/10593/21359
dc.language.isootherpl
dc.publisherKomisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PROpl
dc.rightsinfo:eu-repo/semantics/openAccesspl
dc.subjectMilan Kunderapl
dc.subjectFestival of Insignificancepl
dc.subjectfrequent themespl
dc.subjectmodels and motifspl
dc.subjectphenomenological filiationpl
dc.titleReflexe bezvýznamnosti a její možnosti zření (Milan Kundera: »Oslava bezvýznamnosti« – »La fiesta de la insignificancia«)pl
dc.typeArtykułpl

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego