Różewicza sztuki splątane. Interpretacja performatywna
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Date
2014
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Wydawnictwo Naukowe UAM
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Różewicz’s entangled arts. A performative interpretation
Abstract
This article attempts to analyze Tadeusz Różewicz’s works by using methods that are associated
with performative literary studies. The author refers to concepts of quantum physics and introduces
a new aesthetic category, “entangled arts”. Among these arts are, for example, drama and
theater, which are seen from an anti-binary perspective. This approach eliminates the traditional
division of arts into the art of literature and performing arts, thus leading us to look on literature as
a performing art. Therefore, the idea of “entangled arts” is not about “the synthesis of arts”, but
about their unresolvedness and an act of reading which requires one to simultaneously exist and
be active in two different realities, for example, in a digital and imagined world, or in film and on
stage. Różewicz adheres to the same principle as Diego Velázquez when he was painting Las
Meninas, which represents a trap of a performative painting. This is true of Kartoteka rozrzucona
[The Scattered Card Index], Pułapka [The Trap] and the short story Grzech [The Sin]. The author of
this article considers Tadeusz Różewicz to be the greatest modern writer, a dramatic poet who
pushes the boundaries of art, and an artist who is both present and absent.
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Citation
Przestrzenie Teorii, 2014, nr 21, s. 39-58
ISBN
978-83-232-2740-3