Teurgický element slova v estetickém systému Andreje Bělého
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Date
2013
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Wydawnictwo Naukowe UAM
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Teurgic Element of Word in Aesthetic System of Andrej Belyj
Abstract
According to aesthetic theories of Russian symbolist A. Belyj every real art is in its deepest
essence a symbolic one, it represents an organic connection of two orders – phenomena of
the inner world and the living consciousness. The connection is thus the union of the inner
and outer world. Its sense can be unveiled in metaphysics and mystic, the indexes of the way
to a complex re-structuring of the human being and discovering new forms of existence.
Consequently Belyj understands the symbol as the interaction of its three parts: 1) as
a picture of the visible reality, causing certain emotions in our consciousness, 2) as an allegory
expressing the ideological meaning of the picture (the philosophical, religious and
social meaning) and 3) as an appeal to the creation of the real life. Together with Wagner
and Nietzsche, Belyj can see the essential ideals of the culture in antique mystery dramatic
art that represented the primary interconnection of all the art forms. Heading to the complex
renaissance of the culture he concentrates on the phenomenon of the word – the essential
base, „key for unlocking the world”. The essence of the symbolic expression consists of the
words, through those the creative human strives to express his inexpressible impressions
in a logical way. The living speech is thus always certain „music of inexpressible”. The
creative word constitutes new, „third world” – „the world of the sound symbols”. The relationships
between the sounds and evolution of the Cosmos is formulated in another essay
„Глоссолалия – поэма о звуке” (1922).
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Keywords
Russian symbolism, aesthetic theories, Andrej Belyj, symbol and the visible reality, ideological meaning of the picture, creation of the real life, sound symbols, Rudolf Steiner, antroposophy
Citation
Poznańskie Studia Slawistyczne, 2013, nr 4, s.191–204
ISBN
978-83-232-2525-6