Studia Anglica Posnaniensia, 2013 vol. 48.1
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Item "Timon of Athens" (1606?) and "Timon" (1602?): Rhetorical and ritualistic violence(Adam Mickiewicz University, 2013) Orman, SteveThis article seeks to explore representations of theatrical anger in William Shakespeare and Thomas Middleton’s Timon of Athens (1606?) and a play written by students from one of the Inns of Court, the Inner Temple, entitled Timon, written and performed at the Inn circa 1602. The article is concerned with two types of violence exhibited in both plays; rhetorical violence and ritualistic violence. Early modern rhetorical violence is self-consciously performative and manipulative compared to ritualistic violence which is unbridled and emasculating; a bodily performance that cannot be controlled via self-regulation. By exploring cultural perceptions of anger, this article attempts to account for the range of violence performed by the two Timons.Item Hawthorne’s perspectival perversity: What if “Wakefield” were (about) a woman?; or, credo quia absurdum(Adam Mickiewicz University, 2013) Semrau, JanuszAlthough “Wakefield” opens as a leisurely mnemonic act, it turns into an intensely emotional affair. However, the stance of moral indignation and, indeed, condemnation adopted in many readings of this classic tale seems to be a monological trap, an interpretive ride along Einbahnstrasse. The present close re-reading draws on the combined appreciation of perversity as (i) formal figuration in which the bearings of the original are reversed, (ii) attitudinal disposition to proceed against the weight of evidence (the so-called ‘being stubborn in error’). Building on this logic, the paper offers a transcriptive anti-type response to Hawthorne’s title. It is meant as a detour of understanding and a reclamation of a seemingly obvious relational and denotative proposition. Inasmuch as “Wakefield” is a distinctive rhetorical performance, foundationally a story about story-telling, its title can be naturalized as identifying the story-teller. Even if this does not come across as lucius ordo, it is argued that the order of reappropriative and be-longing signification is that of Mrs. rather than – as is commonly believed – that of Mr. Wakefield. Informed by object permanence and a peculiar looking bias, “Wakefield” proves to be her-tale rather than his-story. As a secret sharer and a would be-speaking gaze, the wife turns out to be a structural and existential pivot of the narrative. More broadly, Mrs. Wakefield can be appreciated as coarticulator of a ventriloquistic logos and choreographer of a telescopic parallactic vision. Unintentional challenge to both the heresy of paraphrase and the aesthetics of astonishment, this is ultimately to proffer a radical Shakespearean/Kantian re-cognition that in certain spheres there obtains nothing absolutely ‘moral’ or ‘immoral’, and it is only a particular perspectival discourse that may make it so.Item Semantic change in African American slang(Adam Mickiewicz University, 2013-12) Widawski, MaciejSemantic change is an important part of African American slang and involves two mechanisms: figuration and shifting. Both are enormously productive and account for numerous slang expressions based on standard English. This paper presents these processes in detail. Partially drawing from the author’s earlier publications, the presentation is based on lexical material from a sizable database of citations from contemporary African American sources collected through extensive fieldwork in the United States in recent years.Item Towards regularisation: Morphological spelling in several editions of the "Kalender of Shepherdes"(Adam Mickiewicz University, 2013) Rutkowska, HannaThis corpus-based study focuses on the graphemic realisations of several derivational suffixes in thirteen editions of the Kalender of Shepherdes, an early modern almanac published between 1506 and 1656. Morphological spelling, that is, the consistent representation of particular morphemes, is considered to be one of the most important criteria in research on the orthographic standardisation in English. The analysis of the graphomorphemic information available in the documents under consideration indicates that particular printing houses applied different combinations of spelling rules with regard to the variants of suffixes and were characterised by varying levels of consistency in the use of these graphemic representations. The new spelling variants of the suffixes were adopted partly as the printers’ own regularisation policy, and partly under the influence of normative writings.