Lingwizm jako antropomorfizm. Wokół poetyckiej historiozofii Zbigniewa Bieńkowskiego
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Date
2013
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Wydawnictwo Naukowe UAM
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Linguistic poetry and anthropomorphism. Around Zbigniew Bieńkowski’s poetic historiosophy
Abstract
The sketch presents the reconstruction of Zbigniew Bieńkowski’s theory of linguistic poetry. This
author who is classified by critics and researchers as a member of linguistic poetry movement is
by no means uncritical of its various perspectives and accomplishments. This complicated approach
is reflected in the dispute that Bieńkowski was engaged in with Karpowicz and the poets of
the New Wave in his critical sketches. He unfairly accuses them of being too minimalistic and of
paying too much attention to linguistic experiments. He claims that distrust of language and its
communicative functions in New Wavers’ programs overshadowed the broad philosophical and
ideological functions of word games. Instead he proposed his own poetological project “Trzy
poematy” [“Three poems”], where avant-garde traditions mingled with symbolist ones and called
for breaking the numbness of language for broader, idealistic purposes. Referring to Vico’s historiosophy,
Bieńkowski wishes to treat linguistic poetry both as a tool (a trick) and space for intervention,
whose final purpose is to rebuild the anthropogenic locus amoenus in language.
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Przestrzenie Teorii, 2013, nr 19, s. 41-56
ISBN
978-83-232-2600-0