Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/12253
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dc.contributor.authorPietrych, Krystyna-
dc.date.accessioned2014-12-02T10:32:26Z-
dc.date.available2014-12-02T10:32:26Z-
dc.date.issued2012-
dc.identifier.citationPoznańskie Studia Polonistyczne. Seria Literacka, 2012, nr 20, s. 89-103pl_PL
dc.identifier.issn1233-8680-
dc.identifier.urihttp://hdl.handle.net/10593/12253-
dc.description.abstractThe article discusses Miłosz’s poetic strategies of expression in problems of the body, illness, getting old, and the impending death. Those problems are closely related to Miłosz’s personal experience. The autobiographical plane adds dramatism to Miłosz’s experiments in developing a new poetic language in his old age. Especially in Farther Surroundings seems to develop a new poetical diction in the epistemological sense. The dark tone of the poet is still present, but it gradually weakens and is replaced by words that unambiguously praise (perhaps overpraise) existence, and so reveal their (self)persuasive quality. In this perspective the profusion of texts, which Miłosz wrote in his last years, is evidence of not only of an impressive intellectual power, but also of a drama that was covered by an overload of words.pl_PL
dc.language.isoplpl_PL
dc.subjectCzesław Miłoszpl_PL
dc.subjectpoetrypl_PL
dc.subjectautobiographypl_PL
dc.subjectlanguage of expressionpl_PL
dc.subjectbodypl_PL
dc.subjectdeathpl_PL
dc.titleMiłosz o ciele, starości i umieraniu. Nowy język czy dramat (nie)wyrażania?pl_PL
dc.title.alternativeMiłosz on the Body, Old Age, and Dying: A New Language or Drama of (Non)expression?pl_PL
dc.typeArtykułpl_PL
dc.description.journaltitlePoznańskie Studia Polonistyczne. Seria Literackapl_PL
Appears in Collections:Poznańskie Studia Polonistyczne. Seria Literacka, 2012, nr 20 (40)

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