Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/13541
Title: Polska eseistyka o malarstwie i fotografii od 2. połowy XX wieku w świetle rozważań nad esejem jako formą (pisarstwa, poznania, doświadczania…)
Other Titles: Polish essays on painting and photography from the 2nd half of the 20th century in the light of reflections on the essay as a form (of writing, cognition, and experiencing)
Authors: Lisak-Gębala, Dobrawa
Issue Date: 2014
Publisher: Wydawnictwo Naukowe UAM
Citation: Przestrzenie Teorii, 2014, nr 22, s. 55-69
Abstract: Contemporary Polish essays on paintings and photographs (by, e.g. Z. Herbert, G. Herling-Grudziński, W. Karpiński, J. Pollakówna, E. Bieńkowska, A. Olędzka-Frybesowa, and W. Nowicki) are juxtaposed with the personal essay which was invented by Montaigne. A wide range of commentaries, including ideas about this genre which were expressed by Th. W. Adorno, G. Lukács, and G. Douglas Atkins, provide a theoretical background for the analysis. Selected Polish texts are presented as artistic constructions that recreate the process of experiencing pictures and the movement of thoughts of the essayistic “self” which uses many disguises (e.g. a traveler, amateur, scholar and critic). A particular painting or photo, which is often artfully described by means of ekphrasis, is treated by essayists as a starting point for analyzing many broader issues as well as for indirect self-presentation.
URI: http://hdl.handle.net/10593/13541
DOI: 10.14746/pt.2014.22.3
ISBN: 978-83-232-2827-1
ISSN: 1644-6763
Appears in Collections:Przestrzenie Teorii, 2014, nr 22

Files in This Item:
File Description SizeFormat 
PT 22_2014_Dobrawa_Lisak_Gebala_rozprawy.pdf210.57 kBAdobe PDFView/Open
Show full item record



Items in AMUR are protected by copyright, with all rights reserved, unless otherwise indicated.