Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/1870
Title: Fenomen czwartego wymiaru w twórczości Jerzego Kuci
Other Titles: Phenomenon of fourth dimension in the work of Jerzy Kucia
Authors: Grodź, Iwona
Issue Date: 2011
Publisher: Wydawnictwo Naukowe UAM
Citation: Przestrzenie Teorii, nr 15, 2011, s. 243-256
Abstract: The article is an attempt to look at all the achievements of the Polish filmmaker – Jerzy Kucia – through the prism of his last work, Strojenie instrumentów/Tuning the Instruments (2000). The author points out that all the director’s previous projects, starting with the debut of 1972 Powrót/Return until Refleksy/Reflections from 1979 through Przez pole/By the field from 1992, showed a very clear development of the creative personality of the artist, who claimed that the “close up” on their own topics is the result of heightened self-awareness and is a great effort to promote himself again and again. In the analysis of the film Strojenie instrumentów/Tuning the Instruments, the author refreshes old and new contexts of interpretation, coupled with the commitment issue, which is a metaphorical return to the past. A question about the essence of the functioning of consciousness leads the author to delve into the phenomenological concept that we find in contemporary theories of psychology of perception.
URI: http://hdl.handle.net/10593/1870
ISBN: ISBN 978-83-232-2293-4
ISSN: 1644-6763
Appears in Collections:Przestrzenie Teorii, 2011, nr 15

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