Fenomen czwartego wymiaru w twórczości Jerzego Kuci
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Date
2011
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Publisher
Wydawnictwo Naukowe UAM
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Phenomenon of fourth dimension in the work of Jerzy Kucia
Abstract
The article is an attempt to look at all the achievements of the Polish filmmaker – Jerzy Kucia –
through the prism of his last work, Strojenie instrumentów/Tuning the Instruments (2000). The
author points out that all the director’s previous projects, starting with the debut of 1972
Powrót/Return until Refleksy/Reflections from 1979 through Przez pole/By the field from 1992,
showed a very clear development of the creative personality of the artist, who claimed that the
“close up” on their own topics is the result of heightened self-awareness and is a great effort to
promote himself again and again. In the analysis of the film Strojenie instrumentów/Tuning the
Instruments, the author refreshes old and new contexts of interpretation, coupled with the commitment
issue, which is a metaphorical return to the past. A question about the essence of the
functioning of consciousness leads the author to delve into the phenomenological concept that we
find in contemporary theories of psychology of perception.
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Citation
Przestrzenie Teorii, nr 15, 2011, s. 243-256
ISBN
ISBN 978-83-232-2293-4