Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/2913
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dc.contributor.authorBizek-Tatara, Renata-
dc.date.accessioned2012-07-19T09:28:45Z-
dc.date.available2012-07-19T09:28:45Z-
dc.date.issued2012-06-26-
dc.identifier.citationStudia Romanica Posnaniensia, 2012, vol. 39, nr 1, pp. 49-57pl_PL
dc.identifier.isbn978-83-232-2410-5-
dc.identifier.issn0137-2475-
dc.identifier.urihttp://hdl.handle.net/10593/2913-
dc.description.abstractJean Muno is the writer who does not introduce History into his fiction until his penultimate work – "L’histoire exécrable d’un héros brabançon" (1982). The autobiographical novel shows, very often in a humoristic or even ironical way, the most important events of the years 1925 – 1981: World War I, the Prague Spring, the May of ‘96 and the Belgian language and identity issues. Muno gives up the humorous tone only when he writes about the Belgian unitary problem and he does it in an oblique way by introducing the secondary character of Madame Eendracht – an evident personification of Belgium. Her appearance indicates significant stages of the country’s historical evolution and allows the reader to track the institutional changes of the 1920s till the reform in 1980, which puts an end to the unitary state and makes Belgium a multiethnic and multilingual federal country.pl_PL
dc.language.isofrpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectJean Munopl_PL
dc.subjectHistorypl_PL
dc.subjectInstitutional changespl_PL
dc.subjectPersonification of Belgiumpl_PL
dc.subjectHumorouspl_PL
dc.titleJean Muno, témoin de son tempspl_PL
dc.title.alternativeJean Muno, the witness of his timespl_PL
dc.typeArtykułpl_PL
Appears in Collections:Studia Romanica Posnaniensia, 2012, vol. 39, nr 1

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