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dc.contributor.authorIgielska, Anna-
dc.date.accessioned2012-09-26T09:10:14Z-
dc.date.available2012-09-26T09:10:14Z-
dc.date.issued2010-
dc.identifier.citation"Images" 2009, nr 13-14 (vol. 7), pp. 73-86pl_PL
dc.identifier.issn1731-450X-
dc.identifier.urihttp://hdl.handle.net/10593/3438-
dc.description.abstractThe central topic of the article Cardenio’s Decorum is the depiction of madness in words and music. The character of Cardenio, the betrayed and lovesick Andalusian nobleman of Miguel Cervantes Saavedra’s Don Quixote, represents one of many theatrical madmen who could be seen on the English stage during the Restoration period (1660–1700) and at the same time one of those who used to present their unusual mental condition in the frame of a stage song, the so-called ‘mad song’. The function of music consists here in the transfer of affection and vivid images: bound together with unreal visions, the music generates a kind of ‘mad’ dramaturgy, in which the images appear as an analogue for the character’s inner state and decide how the musical action is to develop.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzipl_PL
dc.subjectCardeniopl_PL
dc.subjectQuixote Donpl_PL
dc.subjectMad songspl_PL
dc.subjectEnglish Theatre (1660–1700)pl_PL
dc.subjectPurcell Henrypl_PL
dc.titleDecorum "Kardenia". O szalonym z "mad songu" Henry'ego Purcellapl_PL
dc.typeArtykułpl_PL
Appears in Collections:Images, nr 13-14, 2009-2010

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