Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3717
Title: Intermediality in Macedonian theatre
Authors: Petrovska-Kuzmanova, Katerina
Keywords: Intermediality
Performance
Postmodern
Ready-made
Theatre
Drama
Folklore
Issue Date: 2012
Publisher: Wydawnictwo Naukowe UAM
Citation: Poznańskie Studia Slawistyczne, 2012, nr 2, s.251–260
Abstract: In the text Intermediality in Macedonian theatre, which uses the play Macedonian bloody wedding by Vojdan Chernodrinski, directed by Ljupco Gorgievski, as an example, an attempt is made at representing intermediality in theatrical performance. It is achieved through a ready-made technique in which a significant role is played by the music group Foltin and their performance. They use various props, which they turn into their instruments. This leads to their actualization through dedication to their essence. In this way, the old forms and elements of the traditional folk culture cross the bounds of time, reading the folklore signs in the style of the postmodern scene expressions.
URI: http://hdl.handle.net/10593/3717
ISBN: 978-83-232-2409-9
ISSN: 2084-3011
Appears in Collections:Poznańskie Studia Slawistyczne, 2012, nr 2

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