Romantičarski kodovi u romanima Miodraga Bulatovića
Loading...
Date
2011
Authors
Advisor
Editor
Journal Title
Journal ISSN
Volume Title
Publisher
Wydawnictwo Rys (nr 1); Wydawnictwo Naukowe UAM (nr 2)
Title alternative
Romantic codes in the novels written by Miodrag Bulatović
Abstract
The paper identifies the romantic codes that are activated in the organization
of the novels of Miodrag Bulatovic, relying on the theoretical assumptions of
Aleksandar Flaker about the stylistic formation of romanticism, whose postulates
occur even outside the periods, mainly as peripheral poetic codes within
different systems. The disintegrative energy of this period and its preference
for the destruction of the canon came to full expression in the narrative process
of Miodrag Bulatovic. Romanticism as a supra-historical and anthropological
category is generally based on the maximal postulates that involve the
destruction of the existing world, as well as an aggressive attitude towards
reality, which is built into the writer’s universe and reaches its climax in his
last novel, entitled Gullo Gullo and his eschatological mythemes. The irrational
and fantastic images in the narrative process have been equated with real
events co-existing as a narrative element completely equal to reality, and what
is fantastic, unnatural and unusual reveals itself as very ordinary and realistic,
erasing the boundaries between reality and fiction, belonging to one and the
same, a diabolical universe, which substantially regulates romantic codes.
Description
Sponsor
Keywords
romantic codes, lyrical principle, hyperbolisation, fiction, fragmentation, hybridity of the genre theory, irrational motivation
Citation
Poznańskie Studia Slawistyczne, 2011, nr 1, s.33–49