„Potworna zdrada”. O źródłach kontrowersyjności adaptacji "Doliny Issy"
| dc.contributor.author | Kaniecki, Przemysław | |
| dc.date.accessioned | 2014-12-02T10:34:16Z | |
| dc.date.available | 2014-12-02T10:34:16Z | |
| dc.date.issued | 2012 | |
| dc.description.abstract | The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about the film adaptation of Dolina Issy. Konwicki created a film which, although it is an adaptation of the novel, clearly belongs to his own creative output, focused on axiological uncertainty after The Second World War. Konwicki’s work is a record of a quest for enduring points of reference, a quest conducted with realisation that such points cannot be found by a person who feels lost in the modern world. Such a world-view was not acceptable for Miłosz, and it is difficult to expect that the poet would accept an adaptation of his novel created from such a point of view. | pl_PL |
| dc.description.journaltitle | Poznańskie Studia Polonistyczne. Seria Literacka | pl_PL |
| dc.identifier.citation | Poznańskie Studia Polonistyczne. Seria Literacka, 2012, nr 20, s. 119-133 | pl_PL |
| dc.identifier.issn | 1233-8680 | |
| dc.identifier.uri | http://hdl.handle.net/10593/12256 | |
| dc.language.iso | pl | pl_PL |
| dc.subject | Tadeusz Konwicki | pl_PL |
| dc.subject | Czesław Miłosz | pl_PL |
| dc.subject | Tadeusz Różewicz | pl_PL |
| dc.subject | film adaptation | pl_PL |
| dc.subject | nihilism | pl_PL |
| dc.subject | guilt | pl_PL |
| dc.subject | Vilna | pl_PL |
| dc.title | „Potworna zdrada”. O źródłach kontrowersyjności adaptacji "Doliny Issy" | pl_PL |
| dc.title.alternative | “Monstrous Betrayal”: On the Sources of the Controversy around the Film Adaptation of "Dolina Issy" ["The Issa Valey"] | pl_PL |
| dc.type | Artykuł | pl_PL |