„Potworna zdrada”. O źródłach kontrowersyjności adaptacji "Doliny Issy"
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Date
2012
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“Monstrous Betrayal”: On the Sources of the Controversy around the Film Adaptation of "Dolina Issy" ["The Issa Valey"]
Abstract
The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about the film adaptation of Dolina Issy. Konwicki created a film which, although it is an adaptation of the novel, clearly belongs to his own creative output, focused on axiological uncertainty after The Second World War. Konwicki’s work is a record of a quest for enduring points of reference, a quest conducted with realisation that such points cannot be found by a person who feels lost in the modern world. Such a world-view was not acceptable for Miłosz, and it is difficult to expect that the poet would accept an adaptation of his novel created from such a point of view.
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Tadeusz Konwicki, Czesław Miłosz, Tadeusz Różewicz, film adaptation, nihilism, guilt, Vilna
Citation
Poznańskie Studia Polonistyczne. Seria Literacka, 2012, nr 20, s. 119-133