Sur certains aspects de la crise des valeurs héroìques dans les tragédies en musique de Philippe Quinault

dc.contributor.author	Michał, Bajer
dc.date.accessioned	2012-08-10T12:01:09Z
dc.date.available	2012-08-10T12:01:09Z
dc.date.issued	2004
dc.description.abstract	The French music tragedy, created in the 70. of the 17th century, may be considered against a background of the tradition of the heroic literature of the first half of the century. However, the appearance of opera coincides with a general crisis of consciousness and one of the features of the crisis was the fall of the heroic myth. The aim of the dissertation is to take a closer look at the mechanisms of destruction of the hero, used in Philippe Quinault's music tragedies. Opera gradually eliminates the traditional vision of love, replacing it with the conception of a devastating passion. In taking the pattern of the hero's choice, appropriate for the heroic vision, it changes the configuration of accents by creating the type of the "pathological hero".	pl_PL
dc.identifier.citation	Studia Romanica Posnaniensia, 2004, vol. 31, nr 1, pp. 3-22.	pl_PL
dc.identifier.isbn	978-83-232-2145-6
dc.identifier.issn	0137-2475
dc.identifier.uri	http://hdl.handle.net/10593/3004
dc.language.iso	fr	pl_PL
dc.publisher	Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu	pl_PL
dc.title	Sur certains aspects de la crise des valeurs héroìques dans les tragédies en musique de Philippe Quinault	pl_PL
dc.title.alternative	On Certain Aspects of the Crisis of Heroic Values in the Music Tragedies of Philippe Quinault	pl_PL
dc.type	Artykuł	pl_PL

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