Wariacje jazzowe w kinie młodych gniewnych

dc.contributor.authorŚliwińska, Anna
dc.date.accessioned2012-09-26T09:33:56Z
dc.date.available2012-09-26T09:33:56Z
dc.date.issued2010
dc.description.abstractJazz music and the vision of the world depicted by the “angry young men” are connected by a mysterious bond, its basis being not a simple citation of musical pieces, but functioning based on the identicalness of conveyed feelings and thoughts. Rarely can one find an example of correspondence of arts characterised by such extraordinary cohesion of thought and outlook on life. The objective of the present text is not to show the way jazz music functions in the “angry young men’s” films, but to take a closer look at this tangent point, this place where two worlds meet – worlds which are completely different, and yet, in consequence, alike. It transpires, after all, that there is only one way to self-cognition (whether in jazz or “angry young men’s” cinema) – the one leading through daring steps, rebellion and improvisation.pl_PL
dc.identifier.citation"Images" 2009, nr 13-14 (vol. 7), pp. 205-222pl_PL
dc.identifier.issn1731-450X
dc.identifier.urihttp://hdl.handle.net/10593/3441
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzipl_PL
dc.subjectCinemapl_PL
dc.subject“Angry young men”pl_PL
dc.subjectJazz musicpl_PL
dc.subjectRebellionpl_PL
dc.subjectImprovisationpl_PL
dc.titleWariacje jazzowe w kinie młodych gniewnychpl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego