Comment le roman peut-il étre «wagnérien»? Le cas d'Élémir Bourges

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dc.contributor.authorMalinowski, Mateusz Wiesław
dc.date.accessioned2013-04-25T09:33:17Z
dc.date.available2013-04-25T09:33:17Z
dc.date.issued2001
dc.description.abstractThe centre of attention of the paper is the connections between the novel Le Crépuscule des dieux (1884) by Bourges and Wagnerian cycle of the Ring: their presence is traced in the subject matter of the work, at the level of character construction and composition. The opinion of the author is that Bourges is the most complete example, illustrating the influence of Wagnerian esthetics in the field of French novel.pl_PL
dc.identifier.citationStudia Romanica Posnaniensia, 2001, vol. 27, pp. 25-39pl_PL
dc.identifier.isbn83-232-1270-8
dc.identifier.issn0137-2475
dc.identifier.urihttp://hdl.handle.net/10593/6012
dc.language.isofrpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleComment le roman peut-il étre «wagnérien»? Le cas d'Élémir Bourgespl_PL
dc.title.alternativeHow a novel can be Wagnerian? The case of Elémir Bourgespl_PL
dc.typeArtykułpl_PL

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Studia Romanica Posnaniensia, 2001, vol. 27