Octave Mirbeau et les clivages du moi

dc.contributor.authorLair, Samuel
dc.date.accessioned2012-08-14T07:52:32Z
dc.date.available2012-08-14T07:52:32Z
dc.date.issued2005
dc.description.abstractMirbeau's inner world, with its hidden treasures, its disorder, its constructive incoherence, creates a literature in its own image, violent, disparate and generous. His entire work is part of his contemporary Viennese master's one. Subconscious deliberate mistakes, sublimations, perversions, original scenes, neuroses... Everything leads the reader to integrate the biographical element into the very act of creation. The regressive attitude of his earlier novels which translates into a desire for fusion with Nature turns in the 1890s into a will of self-construction eventually opening onto a confident vitality and an enthusiastic belief in modernity. But this decadent literature, no more than a naturalistic one, should not be reduced to a psychoanalytic analysis. Should they exist, these elements are subjected to a literary transmutation which urges the reader to conceive his own personal myth rather than sense a neurotic divide. Torn between an intellectual demand and a spiritual expectation, it seems nonetheless that Nature, the element of inspiration for the author, lets us feel a prospective deep division.pl_PL
dc.identifier.citationStudia Romanica Posnaniensia, 2005, vol. 32, pp. 123-142.pl_PL
dc.identifier.isbn978-83-232-2145-6
dc.identifier.issn0137-2475
dc.identifier.urihttp://hdl.handle.net/10593/3128
dc.language.isofrpl_PL
dc.publisherWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniupl_PL
dc.titleOctave Mirbeau et les clivages du moipl_PL
dc.title.alternativeOctave Mirbeau's riftspl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego