Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11506
Title: Spiritual and Corporeal Nature of Body in Drama “The Seagull” of Anton P. Chekhov
Authors: Waligorska-Olejniczak, Beata
Editors: Vershinina, L. W.
Keywords: Great Theatre Reform
Seagull
Wielka Reforma Teatralna
Mewa
Chekhov
Czechow
Aleksander Lowen
Russian Theatre
Yuri Lotman
Jurij Łotman
Issue Date: 2011
Citation: Высшее гуманитарное образование XXI века: проблемы и перспективы. Материалы шестой международной научно-практической конференции. 2011, pp. 72-76.
Abstract: The paper focuses on the interpretation of gestures in the drama "The Seagull" perceived as the specific Chekhovian language which sometimes turns out to be more meaningful than the verbal sphere of his plays. We analyse behavioural sphere of the characters in relation to the concept of spiritual nature of the body described by Alexander Lowen. We come to the conclusion that economical kinetics in Chekhov's plays constitutes one of the features which allows the poetics of the Russian playwright to be described as the poetics of negation, poetics of denying. It seems that the most adequate metaphor of the Chekhovian gesture could be the Lotman's notion of "meaningful absence" emphasizing the potential of the work which cannot reach its highest level, the stimulus for the deepened analysis of the text.
URI: http://hdl.handle.net/10593/11506
ISBN: 9785842808717
Appears in Collections:Artykuły naukowe (WN)

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