Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/8753
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dc.contributor.authorKamczycki, Artur-
dc.date.accessioned2013-12-04T07:30:15Z-
dc.date.available2013-12-04T07:30:15Z-
dc.date.issued2013-
dc.identifier.citationStudia Europaea Gnesnensia, 7/2013, s. 309-326.pl_PL
dc.identifier.isbn978-83-7654-166-2-
dc.identifier.issn2082-5951-
dc.identifier.urihttp://hdl.handle.net/10593/8753-
dc.description.abstractChristian Boltanski’s works, especially the photographic medium that he uses most oft¬en, refer to the old formulas of memory and commemoration used by Jews called Yizkor, which literally means, remember, recollect. Boltanski, by formalizing or even celebrating the impermanence and changeability of this medium, opposes the belief in permanence of a material object, which paradoxically contributes to the death of its implied idea, that is, memory. However, by negating the form, he does not negate memory but the false traditional belief in its stability and permanence.pl_PL
dc.description.sponsorshipDofinansowanie: Ministerstwo Nauki i Szkolnictwa Wyższego Publikacja sfinansowana ze środków Urzędu Miejskiego w Gnieźniepl_PL
dc.language.isoenpl_PL
dc.publisherPoznańskie Towarzystwo Przyjaciół Naukpl_PL
dc.subjectChristian Boltanskipl_PL
dc.subjectart of memorypl_PL
dc.subjectYizkorpl_PL
dc.subjectcountermonumentpl_PL
dc.subjectmetonymypl_PL
dc.subjectphotographypl_PL
dc.titleYizkor, the Jewish Way of Memory. The Case of Christian Boltanski’s Artpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Artykuły naukowe (IKE)
Studia Europaea Gnesnensia, 2013/7

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