Images, nr 21-22, 2013
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Browsing Images, nr 21-22, 2013 by Author "Hendrykowski, Marek"
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Item Filmowa Łódź w oczach studentów i profesorów PWSFTViT(Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi, 2013) Hendrykowski, Marek; Hendrykowska, Małgorzata; Śliwińska, AnnaŁódź is often called “the capital of Polish film”. The cultural history of this town from the end of World War Two to the present day is closely connected with the movie industry. Marek Hendrykowski’s study on Łódź as a cinematic city offers the first comprehensive critical guide to the many films, interviews, published writings and individual memoirs of the Film School’s students and professors. This panoramic view presents the process of the historical transformation of cinematic images from Łódź between 1945 and 2013, as well as the profound influence this town had on many filmmakers. It serves as a reference work that will allow readers to navigate the subject’s wide range of examples: from Antoni Bohdziewicz, Jerzy Bossak, Kazimierz Kutz and Andrzej Wajda to Krzysztof Kieślowski, Wojciech Wiszniewski, Janusz Kijowski and Polish filmmakers of new generation.Item Historia zespołów filmowych z dzisiejszej perspektywy(Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi, 2013) Hendrykowski, Marek; Hendrykowska, Małgorzata; Śliwińska, AnnaDirectors were central and outstanding figures in the creation of the postwar Polish film industry from the 1940s to the late 1980s. Educating young filmmakers, the Film School in Łódź fostered a documentary-realist style of narrative filmmaking, seen in the work of such talents as Munk, Wajda, Morgenstern, Polański, Zanussi, Skolimowski, Marczewski and Kieślowski. Since 1990, the producer system has replaced the traditional structure of Polish cinema connected with the director’s pursuits and primacy, and well as film units. Marek Hendrykowski’s critical study describes this process, covering selected historical, political and cultural events. The author discusses various aspects of this evolution and the idea of the creative producer, redefining its role for generations to come.Item Intertekst w adaptacji filmowej(Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi, 2013) Hendrykowski, Marek; Adamczak, MarcinThere are problems with discussing and interpreting film adaptation in the socio-cultural framework that is used for the semiotic, structural and aesthetic analysis of text. Even cinema as art often gives in to habit of talking about film “oeuvres” attributed to or identified in terms of an “author” and author’s cinema. It may be misleading to give too much weight and attention to the concept of “fidelity” of film adaptation, and it may be better to look at both – adapted piece of literature and its screen adaptation - as variously connected texts of culture confronting each other and participating in specific discourse. Marek Hendrykowski’s paper raises these questions, examines theoretical background of adaptation as form of communication, and reflects on the modelling linguistic aspects of intertextual analyses of film adaptation as a form of cultural translation.Item Manhattan Woody'ego Allena. Poetyka Introdukcji(Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi, 2013) Hendrykowski, Marek; Hendrykowska, Małgorzata; Śliwińska, AnnaMarek Hendrykowski’s innovative study on the four-minute opening sequence to Manhattan analyses one of the most beautiful introductions in the history of world cinema. Its subtle simultaneous construction based on European and American traditions and key canonical texts of 20th-century art: Walther Ruttmann’s Berlin: Symphony of the City, John Dos Passos’s Manhattan Transfer and George Gershwin’s Blue Rapsody. A semiotic apparatus has been included, along with deep explanatory commentaries and close-readings that identify step-by-step the details of its content, contradictory fiction-nonfiction relationships, and the roles of visual image, word and music, narrative, personal point of view, and stream of consciousness technique in the film. The suggestive film overture to Manhattan composed by Woody Allen represents continuities as well as disruptions, sustained between avant-garde artistic tradition and film art of the 1970s.Item Produkcja filmowa jako kultura. O pisarstwie filmowym Edwarda Zajička(Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi, 2013) Hendrykowski, Marek; Adamczak, MarcinMarek Hendrykowski’s paper is devoted to the unique volume and its outstanding author. The book entitled “Beyond the Screen. Polish Cinematography 1896-2005” written by Edward Zajiček, Professor of Film School in Łódź, is the standard work in the field, unquestionably the most comprehensive and complete book on the history of Polish film production as a specific form of state and individual activity. This newly revised and expanded up-to-date monograph covering every important information about Polish film industry is the ideal introduction to everything the interested reader needs to know about it: from the fundamentals of film production to close-reading analyses of hundreds of classic examples.