Browsing by Author "Krajewska, Anna"
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Item Czytanie jako (prze)grywanie(Wydawnictwo Naukowe UAM, 2009) Krajewska, AnnaItem Dekonstrukcja jako problem estetyki (na przykładzie dramatycznego dyskursu Jacques'a Derridy)(Wydawnictwo Naukowe UAM, 2006) Krajewska, AnnaIn this article the Author shows that J. Derrida's discourse is of a dramatic character. The model which he adopts is the model of a drama. The vision of philosophy, literature and art is connected in Derrida with thinking, which in its basis is of theatrical character. The philosopher often reaches for the concepts connected with dialogue, agon, theatre, stage, drama recalls various theatrical conventions from Rousseau to Artaud. Deconstruction produces concepts which, acting in the text, provoke in it transformations, destructions and dislocations. Deconstruction means activity, is dynamic and dramatic, creates a peculiar scene referring to the metaphor of the theatre and directs the spectator's attention onto the artistic imagination which creates this scene. Questioning of thinking in binary categories, projecting dramatic modality which suspends frameworks, construction of a sphere between fiction and reality produces a specific epistemological matrix, which reduces the figure of an observer for the sake of a performing actor. Deconstruction suspends aesthetics based on the category of a masterpiece, develops a new aesthetics, the subject of reference of which is an event, constructs a performative aesthetics connected with the drama.Item Dyskurs performatywny w literaturoznawstwie(Wydawnictwo Naukowe UAM, 2008) Krajewska, AnnaThe author discusses the reasons for the absence of the so-called performative turn in Poland and argues that the apparent lack of a theory of drama in literary studies has denied a possibility to have the changes going on within discourses of the discipline perceived properly. By making advantage of the notion of dramatic quality to determine literary epistemology (dramatic cognition) one can facilitate the process of redefining categories in literary studies. The author demonstrates the current shift in artistic practice from text-oriented thinking to that of a performative system effecting the reshaping of the discourse of literary studies and proposes accordingly a dramatic theory (of literature, aesthetics, anthropology and culture) that results in performance studies become one of the essential research methods in modern literary studies.Item Estetyka granic(WYDAWNICTWO NAUKOWE UNIWERSYTETU IM. ADAMA MICKIEWICZA W POZNANIU, 2011) Krajewska, AnnaItem „Estetyka re-”, czyli kartki wydarte z pisma(Wydawnictwo Naukowe UAM, 2009) Krajewska, AnnaItem Niepewność(Wydawnictwo Naukowe UAM, 2003) Krajewska, AnnaItem Nieznośne piękno rękopisu(Wydawnictwo Naukowe UAM w Poznaniu, 2010) Krajewska, AnnaItem Odcienie ciemności(Wydawnictwo Naukowe UAM w Poznaniu, 2012) Krajewska, AnnaItem Pisanie jako dramatyzacja(Wydawnictwo Naukowe UAM, 2008) Krajewska, AnnaItem Poeta odchodzi...(Wydawnictwo Naukowe UAM, 2014) Krajewska, AnnaItem Poznanie dramatyczne(Wydawnictwo Naukowe UAM, 2004) Krajewska, AnnaThe author describes the problem of dramatic cognition against the background of the concept of the dramatic model of literary studies arising from this discipline's own uncertainty about its research procedures, changes occurring within the literary theory discourse and the mechanisms of the theory of cognition concerning the cognition of art and the world. The author discusses application of the category of drama in the modern theory of literature. She also emphasises the fact of unsovability and transgression connected with the theatrical executive instruction of the drama, making it possible to show the play between the reality and the fictionality of the world expressed in the toposes of "theatre-picture", "theatre-figure of the world" and the model of "theatre without the world". The author also adduces the epistemological metaphors of the lamp, the mirror, and the screen.Item Różewicza sztuki splątane. Interpretacja performatywna(Wydawnictwo Naukowe UAM, 2014) Krajewska, AnnaThis article attempts to analyze Tadeusz Różewicz’s works by using methods that are associated with performative literary studies. The author refers to concepts of quantum physics and introduces a new aesthetic category, “entangled arts”. Among these arts are, for example, drama and theater, which are seen from an anti-binary perspective. This approach eliminates the traditional division of arts into the art of literature and performing arts, thus leading us to look on literature as a performing art. Therefore, the idea of “entangled arts” is not about “the synthesis of arts”, but about their unresolvedness and an act of reading which requires one to simultaneously exist and be active in two different realities, for example, in a digital and imagined world, or in film and on stage. Różewicz adheres to the same principle as Diego Velázquez when he was painting Las Meninas, which represents a trap of a performative painting. This is true of Kartoteka rozrzucona [The Scattered Card Index], Pułapka [The Trap] and the short story Grzech [The Sin]. The author of this article considers Tadeusz Różewicz to be the greatest modern writer, a dramatic poet who pushes the boundaries of art, and an artist who is both present and absent.Item „Ślub” w manierze performatywnej(Wydawnictwo Naukowe UAM, 2013) Krajewska, AnnaBy approaching Ślub (The Marriage) as an epistemological dilemma of a human being who has been caught in a trap of the stage, the author proposes to reread and interpret a new W. Gombrowicz’s drama from a performative perspective. While relating to the title of Tadeusz Kantor’s cricotage Ślub w manierze konstruktywistycznej i surrealistycznej (A Wedding in the Constructivist and Surrealistic Style), the author aims to demonstrate the multi-faceted performative impact of Gombrowicz’s drama within the context of the dissolution of the principles and referential forms of metatheater.Item Splątanie literackie(Wydawnictwo Naukowe UAM w Poznaniu, 2012) Krajewska, AnnaItem Sprawozdanie z Ogólnopolskiej Konferencji Naukowej "Profesjonalizacja w edukacji akademickiej"(Wydawnictwo Naukowe UAM, 2014) Krajewska, Anna; Kowalczuk-Walędziak, MartaItem Sztuka jako uobecnianie(Wydawnictwo Naukowe UAM, 2011) Krajewska, AnnaItem Wielogłosowość(Wydawnictwo Naukowe UAM, 2014) Krajewska, AnnaItem Witkacy i antybinarna teoria tekstu(Wydawnictwo Naukowe UAM w Poznaniu, 2010) Krajewska, AnnaItem Wstęp(Wydawnictwo Naukowe UAM, 2013) Krajewska, AnnaItem „Zwrot dramatyczny” a literaturoznawstwo performatywne(Wydawnictwo Naukowe UAM w Poznaniu, 2012) Krajewska, AnnaThis article presents performance studies as a proposal that would follow the era of disciplinarity. The author proposes to view the phenomenon from the perspective of the changes and transformations from the aesthetics of reception to performance studies, and introduces the category of the literary interlocking to define the performative functioning of text. The author then proceeds to interpret the relationships between the “dramatic turn” that has reoriented and restructured modern thought on reality and art, and the notions of anti-binarity and performativeness. Finally, the author makes an argument that the performative turn has profoundly and significantly transformed the humanities in its entirety. The performative breakthrough has ideological nature that is related to the foundations of understanding the substance of dramaticality.