Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11663
Title: „Nagie życie” Wieniczki Jerofiejewa, czyli Moskwa-Pietuszki z perspektywy teorii montażu Sergieja Eisensteina
Other Titles: „Naked life” of Venitchka Erofeev, or Moscow-Petushki from the point of view of Sergei Eisenstein’s theory of montage
Authors: Waligórska-Olejniczak, Beata
Keywords: Jerofiejew
Erofeev
Moskwa-Pietuszki
Moscow-Petushki
Eisenstein
montaż
Pudowkin
Bergson
intertekst
Wirtualna kamera
lejtmotyw
alkohol
Issue Date: 2011
Publisher: Wydawnictwa Uniwersytetu Warszawskiego
Citation: Przegląd Humanistyczny nr 4(427), 2011, s. 31-39
Abstract: The article is an attempt to conduct a comparative analysis of Venedikt Erofeev’s Moscow-Petushki in the context of Sergei Eisenstein’s theory of montage, which was derived from the combination of montage of attractions, analogies and antitheses. Treating Eisenstein’s experience as the point of reference I focus on the techniques used in Erofeev’s text, whose target are the reactions of the virtual recipient, for example the juxtaposition of apparently unconnected shots in order to shock the reader. My paper turns attention to the use made of various artistic means such as the leitmotif of alcohol consumption exposed in the poem, pauses, counterpoints or manipulation of emotionally intensified episodes.
URI: http://hdl.handle.net/10593/11663
ISSN: 0033-2194
Appears in Collections:Artykuły naukowe (WN)

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